There you are, with access to something like million hours of music and it's so difficult to choose just one song. We live in a time where our incredible access to music is both a blessing and a curse. How does one curate the thousands upon thousands of songs that will be released this year alone? Thankfully, we're pretty much tethered to our headphones most waking hours listening to all the latest tracks from the best and least known artists of today. Here, we've curated the best songs of so far. Listen to our Best of playlist on Spotify. Not Yola. The singer soars above the backing with her warm, flexible, undeniable instrument. Where that check at?
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DJ Nate: “Fuck Dat”
Shawn Mendes: “If I Can’t Have You”
From pop comebacks to international acts finding crossover success to gorgeous ballads and irresistible dancefloor bait, was quite the year. Here are the songs we couldn't stop playing this year. Think the vulnerable voice of Nina Simone waxing poetic about the ills of millennial dating. Following in the footsteps of international kings like Burna Boy and WizKid, Rema's crisp, charming vocals float over a bouncy rhythm that blends Afropop and hip-hop to create three minutes and 15 seconds of sheer joy. Sex sells, but Rapsody has never been one to conform to hip-hop's misogynistic views of women. Angel Olsen's lush, throaty voice connects with an eerie, '80s-leaning production to create a musical masterpiece. One of the most ubiquitous songs of came from pop's newest power couple. Hate it or love it, Shawn and Camila make magic together.
In , with one killer track, an artist could become a household name, sparking infinite conversations and even more memes. In addition to all the new names, established artists like Lana Del Rey and Vampire Weekend redefined themselves and reset the trajectories of their careers. At the end of one year, and looking ahead to the next decade, here are the tracks we believe will stand the test of time. Listen to selections from this list on our Spotify playlist and Apple Music playlist. Shawn Mendes seems beamed in from a pop era before face tattoos and pink hair and cursing: Last year, when the Canadian heartthrob revealed he liked to— gasp! On paper, Mendes is pining after the girl who got away with the obsessiveness of an Instagram stalker—and yet his effervescent delivery, and shameless cheesing in the video , make it clear that this winning rom-com of a song has a happy ending. The titular vocal sample, chopped into oblivion, is a suitable mantra: Nate returned to footwork while recovering from an injury that left him temporarily paralyzed from the waist down, a particularly cruel irony in a scene defined by movement. What emerges is a strangled, melodic hook offset by unsettling vocal effects and chords that spiral upwards in a nervous twist of energy.
G enre is dead; all hail the new masters of global, category-defying hits from artists old and new. Rendered in minimalist, twanging piano chords and tightly-wound vocals, it swings from breathy devastation to high notes of carefully controlled keening. It also marks her return after nearly three years of absence from music, foreshadowing a new openness in work to come. While California hip-hop has witnessed a fearsome revival over the last few years, its community was struck by tragedy when Nipsey Hussle, one of its titans and fiercest advocates, was shot dead in Crenshaw in March.